Tuesday, 22 December 2009
Monday, 30 November 2009
Damien Hirst
Monday, 23 November 2009
Video Artists
I am Thought
Tuesday, 17 November 2009
Beyond The Boundaries
Within looking at boundaries and being in a place that is outside our sphere that we would not normally go to or even understand, I have decided I would like to look into John Baldessari's work ethics and procedures. In displaying concepts that I have not been aware of. Taking the concept or piece of work and understanding it and then reacting to it. Shown that I have entered this boundary of either not understanding or being aware, and then in turn produce a reaction of how I feel or how I interpreted what I saw. This could be taken with anything. The olympic village and construction where I enter and review my surroundings and then in turn produce a response. The whole idea of a boundary being observed and then broken down / the deconstruction of it.
The outcomes could range from anything, just of how I feel and the boundary could in turn be anything.
See the world or characteristics of it for the first time.
Thursday, 12 November 2009
JOHN BALDESSARI
John Baldessari:
“I am very interested in way people look at things, or don’t look at things. We automatically look at somebody face first, if you take that away then they have to look someplace else. Delete one thing after another until there’s only white left and you’ll still be looking at the white. You just want to look at something. You can sort of condition how people look”
Tuesday, 3 November 2009
Sound of Silence "THE PITCH"
Title: Irresolute (means to doubt something or be hesitant towards the unknown.)
Without sound we find replacements or try to improvise with what we know. However what about sounds that we are unaware of or cannot connect to, with the image or scene being presented.
Within our film we wish to create a sense of isolation due to the lack of an understanding of the sound produced by the event that is happening on the screen. Working on an aesthetic which completely indulges the viewer (a feast for the eyes) which isolates them from the sound even further. Our task, to subconsciously isolate the viewer from the result of not understanding the sound.
Narrative: pure visual language that the viewer may not understand.
Monday, 2 November 2009
Sound of Silence
Without sound we find replacements or try to improvise with what we know. However what about sounds that we are unaware of or cannot connect to.
Seeing a moving clip of a man walking down a street without any sound, we can interpret the sound of his footsteps and gain an understanding of the clip. However if we are presented with a silent clip where we are unaware of what sound is being produced we are suddenly stuck and isolated without an understanding of what is going on, left in the unknown and unable to interoperate in a comfortable way.
Sunday, 25 October 2009
Everything is Connected
Compositions and Pose
Thursday, 22 October 2009
Sound into Vision
With the sound of a washing machine, I saw the sound as three layers, and knowing where the sound was being produced from this cycling movement, I decided not to work against it but use to my advantage of the circular motion and project this in my final piece. The whole page filled to represent a confined space of where sound is produced where it is chaotic but also confined at the same time. Using the "@" sign being repeated it does loose it's meaning and therefore can be used to represent something else. For this instance sound.
I mainly just wanted to look at progression of the noises created and therefore use gradients allowing movement and the thin vibrations caused by the washing machine.
John Maede has influenced me in the past for his ideals of simplicity and here I just wanted to keep it simple and not overcomplicate the presentation of the sound. Take inspiration from the mark making but then simplify and develop, I tried not to just imitate.